Selected ONLINE
“It’s Time to Finally Pass the DREAM Act” (Op-Ed) || Newsweek
“Writers Recommend” series || Poets & Writers
“Erasure,” “Abecedurian,” “Muscle Memory,” and “Unauthorized Rising” || Waxwing
“Oh, I’m Dying, I’m Dying,” || The Academy of American Poets: Poem-a-Day
“Airbag Aria” and “Love, Elizabeth” || Sixth Finch
“Every Good Boy Does Fine” || The Arkansas International
“Epithalamium Ending in Divorce” || The Cortland Review
“My Chiropractor Gives Me a Name” || The Rumpus (National Poetry Month feature: Day 18)
“Love in the Time of Vertigo” || MumberMag
“House Hunters” || The Nation
“Stillwater” || Orion Magazine
“The Persistence of Symptoms” || Quarterly West, reprinted by the Academy of American Poets
“What Happens After You Become the ‘Most Famous Undocumented Immigrant in America’” || The Atlantic
"The Strange: The Graphic Novel that Captures the Anxieties of Being Undocumented" || The Atlantic
"New Patient Intake Form" and "You lose your keys, too, and" || World Literature Today
"Ivan, Always Hiding" || Southern Humanities Review
"Circuitry" || The Academy of American Poets: Poem-a-Day
"Language of the Border" (Essay) || VIDA: Women In Literary Arts
"Undocumented, and Riding Shotgun" (Essay) || The Smithsonian’s "What It Means to Be American" project
“Landscape with American Dream” || California Journal of Poetics
“Tago Ng Tago (TNT),” “Arrival,” “Move-In,” “Snakes In the Grass,” and “Bonfire” || Connotation Press
“Between Chou and the Butterfly” and “About the Visas” || The Journal
“Electromyography” || The Collagist
“Shift” || Painted Bride Quarterly
“Swarm” and “Leaving the Non-Profit Immigration Lawyer’s Office” || Kenyon Review Online
“Remembering Jack Gilbert” || Tongue: A Journal of Writing and Art – Marginalia
“Narrative” (digital broadside) || Lantern Review
Selected Print
“The Night Before You Are Naturalized” || Poetry Northwest, Winter & Spring 2023
“Near the End of Our Time” || Copper Nickel, issue 31
“American Sentences” and “Coup-Contrecoup” || Pleiades: Literature in Context, issue 40.2
“In the Ecotone.” || The Georgia Review, issue 74.1
“Publishing During a Pandemic: The Effects of COVID-19 on the Business of Books” (guest contributor) || Poets & Writers Magazine, July/August 2020.
"Beyond the Finish Line" || Poets & Writers Magazine, July/August 2017
"Speak No Evil Forum: 'MFA vs POC'" (Essay) || The Asian American Literary Review
“‘More milk, more milk makes it better’” and “Where There’s Smoke” || Eleven Eleven, issue 17
“Exchanging Vows” || The Asian American Literary Review, vol. 3.2
“Wreck” || Hayden’s Ferry Review, issue 48
“What after” || Third Coast, issue 27
“Postcard” and “Northern Lights” || Nimrod International Journal, issue 52:1
“Slow Machinery” || Spoon River Poetry Review, issue 33:1
“Traveling on the I-698” || Salt Hill, issue 20
“History” || Fugue, issue 31
“The Undocumented Immigrant Poem # 79” || Oberon, issue 4
Anthologized
“Assimilation” || Border Lines: Poems of Migration
"Move-in" || Poetry: A Writer's Guide and Anthology
"Recovery" (Essay) || The Poem’s Country: Place and Poetic Practice
"Between Chou and the Butterfly" || Best American Experimental Writing 2015
“The Exemplary Poem and the Exemplary Life” (Essay) || First Light: A Festschrift for Philip Levine on His 85th Birthday
“Wreck” || Best New Poets 2011
“Junkyarding through the great Moreno Valley” || Breathe: 101 Contemporary Odes
“Second Lesson (Circle Inn),” “Junkyarding through the great Moreno Valley,” and “The Undocumented Immigrant Poem # 79” || Bear Flag Republic: Prose Poems and Poetics from California
“Anilao, 1989” || Homage to Vallejo